Reprinted from Mom Egg Review, Book Reviews, June 21, 2016
by Rosalie Calabrese
Poets Wear Prada, 2015, $12.00 [paper]
ISBN 9780692303795
Review by RZ Wiggins
Mothers are simple,
complex, opaque, vivid, loving, distant, devoted, and neglectful, all in
a lifetime. From its first pages, this slim volume overflows with the
above and with a mother’s abundant love and commitment. Rosalie
Calebrese’s chapbook Remembering Chris is a
memorial to a lost son. But the collection also shows the many sides to
mothering through a voice that is at once surprisingly pragmatic and
refreshingly honest.
Aside from “Mixed Emotions” (3) which centers on mothering concerns (how many mothers haven’t felt these?), Remembering Chris’s
poems ring with joy at both motherhood and grandmotherhood. Given the
absence of any mention of siblings, it appears that Chris, the
collection’s focus (a boy who loved his Lionel trains), is an only
child.
The poems explore a mother
who dutifully nurtures her son and teaches him what is needed. There is
the heartfelt sting of sternly eradicating obscene words and gestures
and the angst of removing the stowaway from the back seat to again
deposit him at sleepover camp. These are a mother’s duties that must be
done even though the heart is heavy.
I wanted more glimpses into
this bond, more details of days spent together in the boy’s younger
years, his falls and scrapes, more about his young mother. What were
their rituals? Cozying together reading books in bed? Baking cookies on
stormy days? Whispering to a favorite teddy bear in the dark?
Where the boy is absent,
there is much of the mother: a divorced parent struggling to adjust to
her new single status; a woman juggling work commitments and the
coexistent guilt:
…I ran the shuttlebetween career and motherhood.So often, our line of communicationfilled with static − almost disconnected;I feared you’d lose your way. (16)
In addition, there is the
struggle to hold onto some of herself, to be the woman who can go to
Europe without her son while carrying a mother’s guilt.
The woman inside these
poems finds it difficult to tell her granddaughter “what Jewish people
believe in” (19) and instead defers to the Internet. Yet, Jewish
heritage bleeds across the pages, particularly in one of Calabrese’s
most poignant poems:
A Memo to My SonYou had no bris,And you had no bar-mitzvah,But make no mistake, my son:You are the flesh of my flesh,And the blood of my blood:When all the scores are tallied,You will still be a Jew. (8)
Time and again Calebrese
reminds us that mothers must be many things: loving yet stern, strong
yet fallible. They must bend to meet life as it arises before and after
their children are born and especially after a child sadly passes on too
soon. Without a doubt, the essence that shines through these poems is
of the richness and devotion of a mother’s love despite all of life’s
varying circumstances. They remind us that mothers never let go, not
when they send you to summer camp, nor when career demands intrude, nor
when you get married and move into your own home. Mothers swell up with
joy and hold on forever— “I reach for your hand/and hold the memory”
(24).
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